Josephine Mead is a visual artist, writer & curator, living and working on Wurundjeri woi wurrung & Dja Dja wurrung Country (Australia).
Emma Phillips has a knack for catching moments of unbridled humanity. In her latest exhibition at ReadingRoom, she shines a light on the breadth of her practice, amalgamating several projects from the last decade.
In his latest exhibition at Perth Institute of Contemporary Art, Jack Ball challenges the extractive history of the archive while searching for shapes that can articulate the complexity of trans life.
In his latest exhibition at the 4A Centre for Contemporary Art, Elyas Alavi reimagines the alam, an object used in Shi’a ceremonies, as a portal for queer Muslim experience.
Step into Melbourne’s iconic Nicholas Building, where Kez Hughes has been crafting meticulous oil paintings that depict ancient objects from European museum collections—all for her solo exhibition Translations at Nicholas Thompson Gallery.
French-born/Belgium-based Laure Prouvost animates her first major Australian survey with her hallmark absurdism. ‘Oui Move In You’ is showing now at the Australian Centre for Contemporary Art.
In a new exhibition at Outer Space, Amy Claire Mills offers a love letter to her disabled and neurodivergent communities by turning cold, hard medical spaces into places of safety and warmth.
Celebrating artist collectives through seven exhibitions across Melbourne and Kyneton, the new Collective Polyphony Festival is founded on the notion of artists supporting artists.
Yasmin Smith examines plants as time-honoured witnesses of Country, story and people. Mosman Art Gallery is showing a collection of her works, highlighting the interconnectedness of Smith’s archive, as well as our human relationship to nature.
Irish language and contemporary gaming aren’t seemingly compatible subjects—but they find a meeting point in Clare Milledge’s symbolic paintings at STATION Gallery Sydney.
