Jane O’Sullivan is an arts writer and journalist based in Sydney. She is a former editor of Art Collector and Art Edit magazines and has also contributed to the Australian Financial Review, Artnet, Ocula and Artist Profile among others.
With an eye for capturing the colonial holds of history while communicating her profound spiritual connection to Country, in My Place – Before Marlene Gilson paints the history of her home.
Children can radically alter how artists approach their work—and some even find themselves collaborating with their kids.
Kangaroo teeth, river reeds, streetwear and sculpture: the rich world of contemporary Indigenous fashion.
Overlapping Magisteria is the name of the 2020 Macfarlane Commissions on show at the Australian Centre for Contemporary Art (ACCA).
The new Granville Centre Art Gallery in western Sydney opens this month with a resounding statement of First Nations strength and solidarity.
Gangguan Tenggara – Edisi Indonesia is the fourth and final in Bega Valley Regional Gallery’s South/East Interference exhibition series.
The Art Gallery of New South Wales (AGNSW) opened on 1 June—one of the first major galleries to invite people back inside after the Covid-19 lockdown—with a few key differences.
Inside the singular practice of renowned Yolŋu artist Nyapanyapa Yunupiŋu.
In the first of Art Guide’s new series on artists cooking, Jane O’Sullivan spoke to Tai Snaith, Maria Fernanda Cardoso, and James Tylor about their edible creations and asked them to share some of their favourite recipes.
In the group exhibition Hi Vis, fashion is used to arrest attention and focus it onto complex political ideas.
Melbourne photographer Atong Atem is known for bright, highly patterned tableaux, shot like traditional studio portraits. In her latest series, Portals, she strips away the colour and presents a more intimate view of her subjects.
Jumaadi’s exhibition My love is an Island Far Away at Mosman Art Gallery has been years in the making.
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