Jane O’Sullivan is an arts writer and journalist based in Sydney. She is a former editor of Art Collector and Art Edit magazines and has also contributed to the Australian Financial Review, Artnet, Ocula and Artist Profile among others.
Kangaroo teeth, river reeds, streetwear and sculpture: the rich world of contemporary Indigenous fashion.
Gangguan Tenggara – Edisi Indonesia is the fourth and final in Bega Valley Regional Gallery’s South/East Interference exhibition series.
The Art Gallery of New South Wales (AGNSW) opened on 1 June—one of the first major galleries to invite people back inside after the Covid-19 lockdown—with a few key differences.
Inside the singular practice of renowned Yolŋu artist Nyapanyapa Yunupiŋu.
In the first of Art Guide’s new series on artists cooking, Jane O’Sullivan spoke to Tai Snaith, Maria Fernanda Cardoso, and James Tylor about their edible creations and asked them to share some of their favourite recipes.
In the group exhibition Hi Vis, fashion is used to arrest attention and focus it onto complex political ideas.
Melbourne photographer Atong Atem is known for bright, highly patterned tableaux, shot like traditional studio portraits. In her latest series, Portals, she strips away the colour and presents a more intimate view of her subjects.
Jumaadi’s exhibition My love is an Island Far Away at Mosman Art Gallery has been years in the making.
Mike Parr’s The Eternal Opening takes place in a replica of Anna Schwartz’s Melbourne gallery that has been placed inside Carriageworks.
From Carolee Schneemann and Dieter Roth to Karla Dickens and Paul Yore, The Abyss takes a deep dive into art that disrupts and confronts, carving space for incongruencies to co-exist.
50 years on, Penelope Seidler recalls the first ever Kaldor Public Art Project: Christo and Jeane-Claude’s groundbreaking Wrapped Coast.
James Powditch’s new exhibition Codakhrome explores the fragility of memory.
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