Ariele Hoffman is curator of the Jewish Museum of Australia and has a Research Masters in History from the University of Melbourne and a Bachelor of Arts, majoring in Photomedia. When not too busy curating exhibitions, she turns her hand to arts writing and has been published in Art Monthly, Art Forum, Jewish Women of Words and in an array of online journals.
Sydney Contemporary is going annual this year. In its third iteration, the event is set to be “wonderful and varied” says Sydney Contemporary CEO and director, Barry Keldoulis, who describes this year’s line-up as the strongest to date.
Australian constructivism, since its birth in the 1930s, built upon the legacy of both British and Russian constructivists, “by emphasising the material, spatial and technical aspects of art making, and by furthering the abstract language of geometric forms,” explains curator Sue Cramer.
In his new exhibition deKonstruKt, Raftopoulos’s desire is to “debase this belief system” that surrounds us – our historical and contemporary narratives.
In a world where one of the only consistencies is that there’ll be more bad news, Ash Keating has created a meditative space for viewers to find a brief respite.
Who’s Afraid of Colour? presents daringly innovative senior artists who are at the forefront of indigenous art practice.
