
Inside Savanhdary Vongpoothorn’s Studio, Where Ideas Grow
Ahead of her solo exhibition at Niagara Galleries, Vongpoothorn contemplates the ideas sprouted during her residency, and how they have transformed once returned to her Canberra studio.
Ahead of her solo exhibition at Niagara Galleries, Vongpoothorn contemplates the ideas sprouted during her residency, and how they have transformed once returned to her Canberra studio.
Step inside Monica Rani Rudhar’s space at Parramatta Artists Studios, where she works across ceramics, sculpture, video, performance, and latterly, public art. Rudhar is working towards her solo exhibition at Martin Browne Contemporary, while reflecting on the value of play, how imitation leads to authenticity, and why she’d be lost without her sketchbook.
Step inside Remy Faint’s inner-city Sydney garage, where he meticulously constructs every element of his artworks—from wooden frames and sculpted fabric to striking, multilayered paintings in silk. Faint is now showing at the Rockhampton Museum of Art.
Consuelo Cavaniglia’s sunny studio in an industrial area of Sydney’s inner west reflects the artist’s fascination with light. Her recent glass works, now showing at Chau Chak Wing Museum, play with apertures, shadows, reflections and transparencies.
Sandra Black is best known for her distinctive carved and pierced porcelain vessels, which are now showing in a comprehensive survey show at the Art Gallery of Western Australia. We step inside Black’s light-filled Fremantle studio, where she has worked since 1988.
Symbols and images dance across Nathan Beard’s vast body of work, all connecting back to his Thai-Australian heritage. We step inside the artist’s studio space in Preston, Victoria, and discuss his upcoming exhibition at Sweet Pea Gallery.
Stepping into Sarah Contos’s sprawling home studio in Kyle Bay, in southern Sydney, feels like a step inside the artist’s inventive and inquisitive brain—apt given that Contos’s upcoming show at UNSW Galleries, Eye Lash Horizon, explores aspects of what makes us human.
Step inside Clare Milledge’s Avalon home and studio, surrounded by a lush garden of coastal natives, as she prepares for her latest exhibition at STATION Melbourne.
Step into Melbourne’s iconic Nicholas Building, where Kez Hughes has been crafting meticulous oil paintings that depict ancient objects from European museum collections—all for her solo exhibition Translations at Nicholas Thompson Gallery.
25-year-old Serwah Attafuah is known for her hyper-luminescent dreamscapes and cybernetic archetypes. In her Sydney studio she discusses the scavenger methods, ancestral rituals, and socio-ecological concerns that scaffold her practice—and why The Matrix helps her understand the world.
Julia Gutman works with textiles donated by family and friends, creating layered figurative tableaux. We stepped inside her studio in Lewisham in Sydney’s inner west, learning how connection is central to her practice.
“It’s a relationship I’m speaking about, a relationship with environment, place, my grandmother and family,” says Christopher Bassi. With inspiration vested in a matrilineal connection to Queensland’s far north, the sea, and the tropics, Bassi practises from a light-filled studio in Brisbane’s West End.