It was a “lovely fluke”, says exhibition curator Una Rey, that Black White & Restive opened on the first day of National Reconciliation Week this year. But to focus solely on that, she explains, would be misleading.
Drawn from founder and director Judith Neilson’s ever-expanding collection, the show features more than 30 videos, paintings, drawings, sculptures and multimedia installations by Chinese artists.
An exhibition at the Koorie Heritage Trust (KHT) pays tribute to Bellear’s work.
More than 3000 pieces are on display, representing only 75 per cent of Roche’s collection…
The Art Gallery of South Australia acquired Sue Kneebone’s works Neat Drop and Angel Inn…
Op Art challenges its audience and makes them question what they are seeing.
The first major show of Sherman’s work in Australia since 2000.
One afternoon, during an event at the Sydney College of the Arts, Alex Gawronski looked up from an elaborate cheese platter and turned to Justene Williams, his fellow teacher. “If I ever gave up art,” he said, intoxicated by the pungent stink, “I would make cheese in a cave.”
The Australian Centre for the Contemporary Art is mounting the first Australasian survey of von Brandenburg’s work in a gallery-wide exhibition.
Hatched, now in its 25th year, is the Perth Institute of Contemporary Art’s annual survey of recent visual arts graduates.
Photography is an important medium for Aboriginal people.
Borders, Barriers, Walls explores migration and trade, concepts around borders between states, barriers to land, information, and resources, and walls.
