Jasmine Targett: Super Ecology
Throughout her career Jasmine Targett has worked with esteemed researchers and organisations, including NASA, and used their research and technology in her work.
Throughout her career Jasmine Targett has worked with esteemed researchers and organisations, including NASA, and used their research and technology in her work.
Can you have too much of a good thing? William Kentridge seems determined to find out in his survey show, William Kentridge: that which we do not remember, at Art Gallery of New South Wales.
One of the first things you will notice when entering Eva Rothschild’s exhibition Kosmos at the Australian Centre for Contemporary Art (ACCA) is the monumental scale of the works. Stark, formalist forms in black metal and concrete dominate your view.
What does your life weigh? This is the unspoken question that resides at the heart of Alex Seton’s exhibition Cargo at Sullivan + Strumpf, Sydney.
Flower Feelings, a new zine by Adelaide-based artist Lucy Thomas which combines the symbolic meaning of flowers with personal anecdotes, is being launched as part of the exhibition Magic Zine: YOU ARE ART at Murray Bridge Regional Gallery.
Gallery director Steven Joyce says the contrast between Garland’s black-and-white photographs and Usmiani’s colourful work will present well visually. “They’re showing jointly and will feed off each other,” he says.
Spinifex is the material of choice for Macnamara, who twists, coils and weaves the grass to create forms that are at once delicate, intricate, complex and subtle.
Bringing together 20 projects from Australian and international artists, mathematicians, scientists, psychologists and designers, PERFECTION positions its theme as neither virtue nor vice.
Sydney Contemporary, like any art fair, is a massive marketplace full to bursting with artworks that collectors can take home, if the price is right.
For 20 years, Joanna Logue painted the landscape she knew best – the one right outside her relatively isolated studio in Oberon, inland over the Blue Mountains in New South Wales.
Ben Howe’s paintings become less clear as you move closer towards them. “I suppose my work sits within a broader definition of hyperrealism: that it’s a perfect rendition of something that never existed,” he says.
In the group show Human non Human, the question of what it is to be human is tackled by five artists who actively engage with technology and/or the tropes of science.