Rather than throwing everything into a stack and seeing if it sticks, Gupta builds his stacks in a deliberate, loaded manner whereby the process says as much as the result.
A touring retrospective of Bella Kelly’s work at John Curtin Gallery.
Outside the art scene, it may not be understood that, for the selected Australian artist, the Venice Biennale is an opportunity of Olympian stature.
Glenda Orr’s Log: Filter-Frame-Forest, is a restrained yet revolutionary exhibition.
It was a “lovely fluke”, says exhibition curator Una Rey, that Black White & Restive opened on the first day of National Reconciliation Week this year. But to focus solely on that, she explains, would be misleading.
Drawn from founder and director Judith Neilson’s ever-expanding collection, the show features more than 30 videos, paintings, drawings, sculptures and multimedia installations by Chinese artists.
An exhibition at the Koorie Heritage Trust (KHT) pays tribute to Bellear’s work.
More than 3000 pieces are on display, representing only 75 per cent of Roche’s collection…
The Art Gallery of South Australia acquired Sue Kneebone’s works Neat Drop and Angel Inn…
Op Art challenges its audience and makes them question what they are seeing.
The first major show of Sherman’s work in Australia since 2000.
One afternoon, during an event at the Sydney College of the Arts, Alex Gawronski looked up from an elaborate cheese platter and turned to Justene Williams, his fellow teacher. “If I ever gave up art,” he said, intoxicated by the pungent stink, “I would make cheese in a cave.”
