“Sometimes I think of my paintings as a sound score to the pulse of the landscape.” Sue Lovegrove presents 12 new abstract landscape paintings in her latest show at Gallerysmith.
In the most significant exhibition of his career to date at Pinnacles Gallery, Danish Quapoor explores the contradictory emotions of grief while navigating complex shifts in identity and belonging.
Working en plein air, Clarice Beckett’s tonalist paintings capture not only the likeness of a place, but how it felt to be there. Revisit our preview of the historical artist, who is now showing at Cairns Art Gallery with work from the 1920s and 30s.
Mai Nguyễn-Long’s latest exhibition at Wollongong Art Gallery takes influence from her Vietnamese heritage and living in a modern Australian setting—speaking to the trauma experienced by the diaspora.
Belinda Winkler and Kevin Perkins AM use the southern Tasmanian landscape as inspiration for a series of works that contrast curve and plane, which are now showing at Bett Gallery.
In her latest exhibition at Flinders Lane Gallery, Kathrin Longhurst highlights the resilience of women through paintings that subvert the traditional male gaze, and instead aim to empower.
A new exhibition at Tweed Regional Gallery has preserved the relocated studio of Australian painter Margaret Olley, with her work providing inspiration for a new series of paintings by Mirra Whale, India Mark and Laura Jones.
Now showing at Sullivan+Strumpf Melbourne, the second solo exhibition from Dhopiya Yuŋupingu draws on the shared histories between the Yolŋu and the Macassans.
Jessica Bradford and Louise Zhang collaborate in a playful exhibition at Wagga Art Gallery that explores multicultural identities and reflects on Chinese hell.
Mona brings new works out of the archive for the ever-evolving collection Monanism. Currently on display are works by Cassandra Laing and Michel Blazy.
A new exhibition at Court House Gallery unites three artists—and friends—with varied practices but cohesive ideologies.
The largest exhibition of Lee Miller’s work shown in Australia in over 30 years, including that shot of her in Hitler’s bathtub, is currently at Heide Museum of Modern Art.
