The Art Gallery of Western Australia pays tribute to The Antipodean Manifesto and the collective artists who wrote it, which included the likes of Arthur Boyd, John Brack and Clifton Pugh.
The fourth Fremantle Biennale looks toward the ocean and beyond, making use of the city’s varied environments and shared histories. The program features over 70 events and 80 artists, including an immersive installation by Taloi Havini.
The grassroots women’s art collective Womanifesto, which formed in Thailand in 1995, did not shut down with the rest of the world in 2020. Instead, it adapted, and now the works made by the Sydney contingent during that time are showing at 4A Centre for Contemporary Asian Art.
In a new exhibition at Outer Space, Amy Claire Mills offers a love letter to her disabled and neurodivergent communities by turning cold, hard medical spaces into places of safety and warmth.
A new exhibition at Drill Hall Gallery, Pintupi Way, offers a window into thousands of years of culture and survival for the Pintupi people of the Western Desert.
Dapeng Liu juxtaposes painted abstract landscapes with recreations of split-second frames from popular films, news and the internet in his new show at Art Atrium.
Adelaide’s annual Aboriginal and Torres Strait Islander art festival returns, and this year includes the first-ever survey exhibition by Vincent Namatjira, as well as artworks by over 1500 Indigenous artists.
Vincent Namatjira was the first Aboriginal artist to win the Archibald Prize for his portrait of AFL player Adam Goodes in 2020. This painting, among his wider oeuvre, is showing for his first survey at the Art Gallery of South Australia.
Nick Modrzewski combines his art practice with a similarly intense career in the law. His new paintings at COMA gallery explore the way human bodies fit (or don’t) within the institutional structures that guide our societies.
UQ Art Museum explores the complexities of love, rage, grief, and healing in Mare Amoris | Sea of Love, a collective curatorial vision of art from across the Pacific Ocean.
“I see my work as a research project,” says Agneta Ekholm. “I have a desire to reach into the unknown with each new painting.” Step inside her large-scale abstract paintings at Flinders Lane Gallery.
“There’s a lot of colour, texture and subtlety.” The Queensland Art Gallery is bringing together artists working both within and beyond the traditional field of abstraction for Living Patterns.
