In her solo show, The Choreography of Cutting, Sally Smart has effectively traced her ongoing commitment to an investigation into three seemingly disparate topics: the historical Avant-Garde, traditional Indonesian folk art and the act of cutting.
This exhibition, drawn from the QUT Art Museum’s largely post-1960 collection, dallies with a contemporary impulse to minimise, downsize and the mantra of ‘reduce, reuse, recycle.’
Leeroy New is making the framework for La Puerta Del Laberinto (The Door to the Labyrinth) at the La Trobe campus and will then transport it to Castlemaine ready to apply his magic with bounty from his tip-trawling.
Nigel Sense explores the what ‘art is…’ idea within the context of his own life.
To coincide with Melbourne Design Week, Sophie Gannon Gallery will present Designwork #1, an annual curated exhibition at the gallery’s Richmond premises.
Women in maritime history have something in common with the structure of icebergs. Their presence is marked only by what skims the surface. Explore the depths and the reality is clear: what we see is only part of the story.
The idea of sleep as a communal activity, rather than a private daily obligation, is what underscores Matthew Bird’s interactive installation Dormitorium.
Charles Blackman’s well-known Schoolgirls paintings are coming together for the very first time.
Brenda May started in 1985 with Access Contemporary Art Gallery. Now she is launching her third gallery, May Space.
Span brings together five artists based in Perth and Fremantle, to examine movement and distance.
March is Art Month in Sydney. With more exhibitions and events than you can poke a stick at, it can be hard to decide on a shortlist. Art Guide’s Naomi Gall offers her top 6 choices.
Patricia Piccinini may have made headlines with her Skywhale, 2013, or more recently with Graham, a sculpture used in education about road traffic accidents, but it’s her quieter works that make the biggest impact.
