Now showing at Sullivan+Strumpf Melbourne, the second solo exhibition from Dhopiya Yuŋupingu draws on the shared histories between the Yolŋu and the Macassans.
Jessica Bradford and Louise Zhang collaborate in a playful exhibition at Wagga Art Gallery that explores multicultural identities and reflects on Chinese hell.
Mona brings new works out of the archive for the ever-evolving collection Monanism. Currently on display are works by Cassandra Laing and Michel Blazy.
A new exhibition at Court House Gallery unites three artists—and friends—with varied practices but cohesive ideologies.
The largest exhibition of Lee Miller’s work shown in Australia in over 30 years, including that shot of her in Hitler’s bathtub, is currently at Heide Museum of Modern Art.
Tania Ferrier’s new exhibition at Gallery Central interrogates body autonomy through a series of collaborations with photographers, fashion designers, models—and even a feminist clown.
An exhibition at David Roche Foundation pays tribute to Staffordshire-born Josiah Wedgwood (1730-1795) and his eponymous pottery company, featuring rare, valuable and ornate pieces, as well as “grandma’s good china”.
Tamara Bekier uses paint to give a voice to the silencing and trauma she experienced as a refugee during World War II. At 92 years of age, her exhibition at the Art Gallery of Ballarat is a survey of her life’s work.
Currently in full swing, this year’s Sydney Festival features scores of artists and events—all centered around the harbour, the event is looking towards the sea.
“I want to ignite that childlike sensibility.” Ariel Ruby conjures a sense of wondrous play in her new show at Penny Contemporary.
Sneakers are a cultural phenomenon made up of paradoxes. Some see them as an accessible and inclusive force in fashion that serve as an outlet of self-expression for many; yet to others they are a symbol of out-of-control consumerism. Two Queensland exhibitions are embracing these dualities, though from contrasting angles: Sneakers Unboxed: Studio to Street at HOTA on the Gold Coast, and Torsion at Brisbane’s Metro Arts.
A comprehensive new survey at the National Gallery of Australia pays tribute to Emily Kam Kngwarray and the Country she loved.
