Mai Nguyễn-Long is reclaiming her heritage
Mai Nguyễn-Long’s latest exhibition at Wollongong Art Gallery takes influence from her Vietnamese heritage and living in a modern Australian setting—speaking to the trauma experienced by the diaspora.
Mai Nguyễn-Long’s latest exhibition at Wollongong Art Gallery takes influence from her Vietnamese heritage and living in a modern Australian setting—speaking to the trauma experienced by the diaspora.
Belinda Winkler and Kevin Perkins AM use the southern Tasmanian landscape as inspiration for a series of works that contrast curve and plane, which are now showing at Bett Gallery.
In her latest exhibition at Flinders Lane Gallery, Kathrin Longhurst highlights the resilience of women through paintings that subvert the traditional male gaze, and instead aim to empower.
A new exhibition at Tweed Regional Gallery has preserved the relocated studio of Australian painter Margaret Olley, with her work providing inspiration for a new series of paintings by Mirra Whale, India Mark and Laura Jones.
Now showing at Sullivan+Strumpf Melbourne, the second solo exhibition from Dhopiya Yuŋupingu draws on the shared histories between the Yolŋu and the Macassans.
Jessica Bradford and Louise Zhang collaborate in a playful exhibition at Wagga Art Gallery that explores multicultural identities and reflects on Chinese hell.
Mona brings new works out of the archive for the ever-evolving collection Monanism. Currently on display are works by Cassandra Laing and Michel Blazy.
A new exhibition at Court House Gallery unites three artists—and friends—with varied practices but cohesive ideologies.
The largest exhibition of Lee Miller’s work shown in Australia in over 30 years, including that shot of her in Hitler’s bathtub, is currently at Heide Museum of Modern Art.
Tania Ferrier’s new exhibition at Gallery Central interrogates body autonomy through a series of collaborations with photographers, fashion designers, models—and even a feminist clown.
An exhibition at David Roche Foundation pays tribute to Staffordshire-born Josiah Wedgwood (1730-1795) and his eponymous pottery company, featuring rare, valuable and ornate pieces, as well as “grandma’s good china”.
Tamara Bekier uses paint to give a voice to the silencing and trauma she experienced as a refugee during World War II. At 92 years of age, her exhibition at the Art Gallery of Ballarat is a survey of her life’s work.