Peter Raissis, curator of European prints and drawings at the Art Gallery of New South Wales where 65 of their paintings will be on view in Masters of Modern Art from the Hermitage, insists that the show is not going to feel like walking through a textbook.
Beyond Bling! is the third in the Art Gallery of Western Australia’s Culture Juice series of popular culture exhibitions.
Throughout her career Jasmine Targett has worked with esteemed researchers and organisations, including NASA, and used their research and technology in her work.
Can you have too much of a good thing? William Kentridge seems determined to find out in his survey show, William Kentridge: that which we do not remember, at Art Gallery of New South Wales.
One of the first things you will notice when entering Eva Rothschild’s exhibition Kosmos at the Australian Centre for Contemporary Art (ACCA) is the monumental scale of the works. Stark, formalist forms in black metal and concrete dominate your view.
What does your life weigh? This is the unspoken question that resides at the heart of Alex Seton’s exhibition Cargo at Sullivan + Strumpf, Sydney.
Flower Feelings, a new zine by Adelaide-based artist Lucy Thomas which combines the symbolic meaning of flowers with personal anecdotes, is being launched as part of the exhibition Magic Zine: YOU ARE ART at Murray Bridge Regional Gallery.
Gallery director Steven Joyce says the contrast between Garland’s black-and-white photographs and Usmiani’s colourful work will present well visually. “They’re showing jointly and will feed off each other,” he says.
Spinifex is the material of choice for Macnamara, who twists, coils and weaves the grass to create forms that are at once delicate, intricate, complex and subtle.
Bringing together 20 projects from Australian and international artists, mathematicians, scientists, psychologists and designers, PERFECTION positions its theme as neither virtue nor vice.
Sydney Contemporary, like any art fair, is a massive marketplace full to bursting with artworks that collectors can take home, if the price is right.
For 20 years, Joanna Logue painted the landscape she knew best – the one right outside her relatively isolated studio in Oberon, inland over the Blue Mountains in New South Wales.
