In the new exhibition at Anna Schwartz Gallery, KINDNESS IS SO GANGSTER, a part of the Melbourne International Arts Festival program, Parr presents his likeness in a new medium: glass.
Josh X Muir at the Koorie Heritage Trust in Melbourne is the culmination of a year’s work that has seen Muir venture further into the digital realm.
Handmade ceramics are often described as possessing the marks of their makers. Like an extension of the individual, the clay form is born from within the maker, a direct conduit of imagination and memory.
“The gallery spaces are flooded with energy; it is an amazingly uplifting and joyful feeling,” Terence Maloon exclaims. “I know that that sounds like a strange thing to say, but I can swear it.”
How to make her long-term partner Chris Wallace-Crabbe’s poem The Universe Looks Down into a cohesive and interesting set of art pieces was Kristin Headlam’s central concern when creating her series of etchings that function together as an artists’ book, and as works in themselves.
Any visitor to Nicola Hooper’s Zoonoses exhibition will be immediately confronted by a gigantic mosquito and a gigantic tick hanging by fishing line from the ceiling.
Thai-Australian artist Kawita Vatanajyankur has long been interested in female labour and its relationship to textiles. Most recently she has explored this in video works in which she uses her own body to transform into various tools, such as a weaving shuttle or a spinning wheel.
Jeff Khan says the Liveworks program evolved organically, but one idea he kept returning to was about “bodies at the edge.”
Peter Raissis, curator of European prints and drawings at the Art Gallery of New South Wales where 65 of their paintings will be on view in Masters of Modern Art from the Hermitage, insists that the show is not going to feel like walking through a textbook.
Beyond Bling! is the third in the Art Gallery of Western Australia’s Culture Juice series of popular culture exhibitions.
Throughout her career Jasmine Targett has worked with esteemed researchers and organisations, including NASA, and used their research and technology in her work.
Can you have too much of a good thing? William Kentridge seems determined to find out in his survey show, William Kentridge: that which we do not remember, at Art Gallery of New South Wales.
