Kaldor Public Art Project 34: Asad Raza
American artist Asad Raza creates a new site-specific work for Kaldor Public Art Project 34 at Carriageworks.
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American artist Asad Raza creates a new site-specific work for Kaldor Public Art Project 34 at Carriageworks.
Ceramic artist Mirjana Dobson is deeply inspired by Haeckel’s drawings and her work mimics the organic forms of ocean plants and animals, particularly those found in coral reefs.
With a style reminiscent of the character driven images of Reg Mombassa and the dreamlike figures of Mirka Mora, Kurt Hermann visually references everything from Shakespeare to rattlesnakes.
Considered to be a defining point in Calder’s art, the mobile sculpture is one of many innovations chronicled in Alexander Calder: Radical Inventor.
The Life Around brings together oil paintings by Perth-based artists Ellen Norrish and Ian Williams. Like hawk-eyed beachcombers, they inspect found social media posts, filter-edited photos, CGI objects and virtual environments, pocketing whatever intrigues them.
ART + CLIMATE = CHANGE 2019, an initiative of CLIMARTE, is a festival held across numerous museums, galleries and public spaces in Melbourne and regional Victoria.
Our Common Bond brings together artists who face “being Australian in some circumstances and not being Australian in others,” says curator Olivia Welch. “They’re Australian, but not ‘enough’.”
“I use green in my work often as a metaphor for greener fields,” he says. “My grandparents immigrated to Australia for this very reason. To create a better life for themselves and their children.”
A master of optical illusion, M.C. Escher (1898–1972) was known for his mathematically inspired prints, which explore perspective, reflection, symmetry and tessellation.
Skye Jamieson and Kendall Manz describe the link between their art practices as a feeling of “abundance within sparseness.”
The Melbourne-based painter’s new exhibition at Despard Gallery in Hobart, Time Traveller, features characters and elements that are peculiar yet oddly familiar.
Elucidated with a level of technical finesse that Loxley describes as “dazzling,” Cassils’ work is fierce, raw and unflinching.
