Looking at the way sound and music can influence art making and storytelling, Lucreccia Quintanilla highlights the sounds of nature within the urban environment of Melbourne.
From Carolee Schneemann and Dieter Roth to Karla Dickens and Paul Yore, The Abyss takes a deep dive into art that disrupts and confronts, carving space for incongruencies to co-exist.
Through a range of forms including sculpture and video, four artists from East Asia, Australia and New Zealand look at surveillance, artificial intelligence and the economies that drive, and are driven by, the global technology market.
Floyd translates politics and philosophy through a cast of anthropomorphic sculptures.
The influence of music, particularly classical, jazz and instrumental music, flows through Bakker’s solo show Resonant Forms.
JamFactory curator Caitlin Eyre explores the Barossa region’s long-standing connection to Germany in Kinder, Küche, Kirche: Revisiting the Traditions of Barossan Women’s Folk Crafts.
Al Munro’s latest exhibition experiments with translating the content of paintings back into textiles.
The Housing Question—an expansive show by artists Helen Grace, Narelle Jubelin and Sherre DeLys—examines the multiple public and private dimensions of housing.
A group exhibition that seeks to highlight Indigenous knowledge and insights into natural ecologies.
One of the many interesting things about Bugai’s oeuvre is her stylistic diversity. Tight controlled dot-work sits comfortably alongside – and sometimes underneath – loose brushwork.
The late Pintupi artist Patrick Tjungurrayi’s paintings offer abstract representations of Country, ceremony, and ancestral and creation stories.
“I am interested in situations where the art historical, psychological, social, and physical worlds collide, and there is a thickness in these situations” – Agatha Gothe-Snape
