The influence of music, particularly classical, jazz and instrumental music, flows through Bakker’s solo show Resonant Forms.
JamFactory curator Caitlin Eyre explores the Barossa region’s long-standing connection to Germany in Kinder, Küche, Kirche: Revisiting the Traditions of Barossan Women’s Folk Crafts.
Al Munro’s latest exhibition experiments with translating the content of paintings back into textiles.
The Housing Question—an expansive show by artists Helen Grace, Narelle Jubelin and Sherre DeLys—examines the multiple public and private dimensions of housing.
A group exhibition that seeks to highlight Indigenous knowledge and insights into natural ecologies.
One of the many interesting things about Bugai’s oeuvre is her stylistic diversity. Tight controlled dot-work sits comfortably alongside – and sometimes underneath – loose brushwork.
The late Pintupi artist Patrick Tjungurrayi’s paintings offer abstract representations of Country, ceremony, and ancestral and creation stories.
“I am interested in situations where the art historical, psychological, social, and physical worlds collide, and there is a thickness in these situations” – Agatha Gothe-Snape
Place, specifically Canberra, and a loose adherence to formalism bring together artists Peter Alwast, Rebecca Mayo, and Nigel Lendon in Unfinished Business.
To augment the visual appeal of his paintings, Dale Frank works directly onto glass and Perspex to capture a reflective element canvas does not offer.
Exploring the semiotics and aesthetics of a retail workplace, Mixed Emotions consists of 2,157 labels that adhere to commercially sold tins of paint, indicating the colour mix, ingredients and date and time of mixing.
With Convergence II, Monika Lukowska and Melanie McKee endorse a kind of art practice in which studio endeavour and everyday life are conflated.
