Pamplemousses Garden
When Adelaide-based artist Sue Kneebone visited Mauritius it was not for the blue sky and beaches, it was for family.
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When Adelaide-based artist Sue Kneebone visited Mauritius it was not for the blue sky and beaches, it was for family.
Joseph Banks is painted in the late afternoon under moody dark clouds in a landscape better suited to board shorts and thongs.
Populated by new worlds that bring alternative mythologies to life, Feedback Loops playfully invites audiences to question preconceived structures within society.
Given the growing spectre of man-made global warming, artist Amrita Hepi says it is important to consider First Nations knowledge of land and sea.
Artists work with scientists to explore the environment of Manly Dam.
In her solo show Losing Home, Finding Home, Mika Nakamura-Mather examines both the fragmentary nature of memory and the quest for belonging.
At the heart of the group exhibition FEM-aFFINITY is intersectional, inclusive feminism.
In Tama Sharman’s practice, the world is animated and dark sepia spirits roam as he creates works that involve personal stories, both factual and fictional.
A Country Practice was a much beloved television series from the eighties, filmed in and around the Hawkesbury region. Hawkesbury Regional Gallery curators Rebecca Turnbull and Diana Robson have brought together a selection of archived film, scrapbooks, costume props, vintage knitting patterns and original sketches for the exhibition The Wonders of Wandin Valley.
The State Library of Victoria’s Velvet, Iron, Ashes exhibition features disparate content: from the Ashes urn and Freddo Frog to Ned Kelly and the history of Yallourn.
The compassionate, connective relationship one can potentially have with one’s self, as well as with others, is the fertile grounding of Kate Mitchell’s large-scale installation All Auras Touch.
The Island delves into Ah Kee’s hard-hitting critiques of Australia.
