The latest in Holmes à Court Gallery’s Collection Focus series looks beyond the still life genre, with 21 artists from across generations offering varied interpretations of stillness in art.
The National Gallery of Australia is contemplating the complicated legacy of Paul Gauguin through a Polynesian perspective in Gauguin’s World: Tōna Iho, Tōna Ao.
From the NATSIAAs to Kathryn Dwyer, Darwin Festival returns for 2024 with a program that emphasises the breadth of contemporary Indigenous art in the Northern Territory.
Yolŋu musician and artist Wurrandan Marawili is embracing Gunybi Ganambarr’s ‘Found’ movement in a series of etched aluminium artworks, now showing at Outstation Gallery.
The annual South Australian Living Artists (SALA) Festival is a much-beloved, month-long celebration of contemporary art and artists across South Australia—and this year’s feature artist is Julia Robinson.
In her latest exhibition at Arthouse Gallery, Belinda Fox invites friends and artists to contribute by reflecting on their sense of home.
Trained in timber furniture making and metal fabrication, Adelaide-based artist Nat Penney has developed a professional practice that balances the creation of functional objects with evocative, more abstract forms. Her latest works are now showing at Newmarch Gallery.
Stacey McCall understands painting as both a domestic pursuit and a calm meditation. Her latest series Breathwork is showing at Michael Reid Murrurundi.
An exhibition at QAGOMA is taking inspiration from Bruce Pascoe’s Dark Emu, drawing from the gallery’s Indigenous Australian art collection to celebrate the connection between plants and Country.
Matilda Davis’s newest exhibition at Hervey Bay Regional Gallery confronts the devastation that colonialism and capitalism have wreaked on Country.
Geelong Gallery is pairing renowned Australian artists Margaret Preston (1875—1963) with the contemporary Cressida Campbell, in exploration of their mutual affinity for the Japanese ukiyo-e print.
In her latest collection of works, now showing at Tactile Arts, Hunnah James incorporates shedded discards from local paperbarks trees into her watercolour paintings of native flora and fauna.
