The darker side of searching for paradise
Fraser Anderson conjures a retreat for our inner gremlins.
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Fraser Anderson conjures a retreat for our inner gremlins.
Rite of Passage is an exhibition that has been in gestation for hundreds of years and the majority of curator Shannon Brett’s career.
For Isobel Knowles and Van Sowerwine the still-nascent artistic medium of virtual reality (VR) is the perfect fit for exploring themes of dislocation, disorientation, alienation and culture shock.
Laurie Anderson and Hsin-Chien Huang are redefining VR in contemporary art.
In the group exhibition Hi Vis, fashion is used to arrest attention and focus it onto complex political ideas.
Misfit features the work of 11 contemporary queer artists from Australia and abroad who use some form of “expanded collage” in their practice.
Kate Baker is known for works which combine glass and photographic processes to poetic effect.
“Without science we would not understand the body, without the body fashion would not become alive and without art, how can we express the bodies we have?”
Corbett’s art making began 20 years ago on the grounds of his former car-wrecking business.
Melbourne photographer Atong Atem is known for bright, highly patterned tableaux, shot like traditional studio portraits. In her latest series, Portals, she strips away the colour and presents a more intimate view of her subjects.
When Adelaide-based artist Sue Kneebone visited Mauritius it was not for the blue sky and beaches, it was for family.
Joseph Banks is painted in the late afternoon under moody dark clouds in a landscape better suited to board shorts and thongs.
