Matthew Sleeth: A Drone Opera
“Drones have become this metaphor for our fear of technology” – Matthew Sleeth
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“Drones have become this metaphor for our fear of technology” – Matthew Sleeth
Part of the Melbourne Design Week (MDW) 2020 program, Partu is Jansen and Nargoodah’s latest collaboration.
Outside Painting explores the messy boundaries between life and art.
For Fiona Hall, the things we throw away aren’t empty of meaning.
Fraser Anderson conjures a retreat for our inner gremlins.
Rite of Passage is an exhibition that has been in gestation for hundreds of years and the majority of curator Shannon Brett’s career.
For Isobel Knowles and Van Sowerwine the still-nascent artistic medium of virtual reality (VR) is the perfect fit for exploring themes of dislocation, disorientation, alienation and culture shock.
Laurie Anderson and Hsin-Chien Huang are redefining VR in contemporary art.
In the group exhibition Hi Vis, fashion is used to arrest attention and focus it onto complex political ideas.
Misfit features the work of 11 contemporary queer artists from Australia and abroad who use some form of “expanded collage” in their practice.
Kate Baker is known for works which combine glass and photographic processes to poetic effect.
“Without science we would not understand the body, without the body fashion would not become alive and without art, how can we express the bodies we have?”
