Sheep Show
Thanks to countless sitcoms, the nuanced realities of office work are common knowledge. Not so with agriculture.
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Thanks to countless sitcoms, the nuanced realities of office work are common knowledge. Not so with agriculture.
Light and space are key concerns in Roger Byrt’s paintings which emit radiance and engross the viewer through upheavals of perspective.
The Perth Institute of Contemporary Arts has reopened its doors with Hatched 2020 National Graduate Show.
Neil Frazer removes all human references from his seascapes; their imagery, form and execution evokes the extreme power of nature.
At a time when the world is in collective mourning, Dancing with the Dead at The Lock-Up confronts grief and celebrates its part in the human experience.
Born in 1934, Elisabeth Cummings has been painting professionally for more than 60 years.
From alleviating anxiety to getting fit at home, our current moment has been a time of seeking wisdom. The advice from artists at Cement Fondu? Don’t let yourself go.
For Time traveller for hole, Sasha Grbich and Kelly Reynolds have harnessed the restrictions and limitations resulting from Covid-19 to reassess, reinvent, and re-imagine their practice.
Tom Polo is interested in the space between things—actions, gestures and words—and the body’s movement through the environment.
The conceptual backbone of Bundit Puangthong’s art is the tension between holding onto the past and letting go.
Australian artists Bessie Davidson (1879–1965) and Sally Smart are connected not only by relation: they are also both strong feminist presences in male-dominated, avant-garde traditions.
Colin Langridge responds to the global environmental crisis with a series of large-scale wooden sculptures at Colville Gallery.
