Dancing with the Dead
At a time when the world is in collective mourning, Dancing with the Dead at The Lock-Up confronts grief and celebrates its part in the human experience.
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At a time when the world is in collective mourning, Dancing with the Dead at The Lock-Up confronts grief and celebrates its part in the human experience.
Born in 1934, Elisabeth Cummings has been painting professionally for more than 60 years.
From alleviating anxiety to getting fit at home, our current moment has been a time of seeking wisdom. The advice from artists at Cement Fondu? Don’t let yourself go.
For Time traveller for hole, Sasha Grbich and Kelly Reynolds have harnessed the restrictions and limitations resulting from Covid-19 to reassess, reinvent, and re-imagine their practice.
Tom Polo is interested in the space between things—actions, gestures and words—and the body’s movement through the environment.
The conceptual backbone of Bundit Puangthong’s art is the tension between holding onto the past and letting go.
Australian artists Bessie Davidson (1879–1965) and Sally Smart are connected not only by relation: they are also both strong feminist presences in male-dominated, avant-garde traditions.
Colin Langridge responds to the global environmental crisis with a series of large-scale wooden sculptures at Colville Gallery.
Louise Gresswell gives us an insight into the very process of painting itself.
The Melbourne Art Fair has been postponed until February 2021, but their online viewing rooms are open to the public 3-7 June, offering a way to connect with the fair now.
“Addressing climate change is a moral imperative … it is going to take a myriad of different approaches to address this crisis.”
Now that we’re all confined to our living spaces, Jenna Pippett and Tanya Lee are taking the shift philosophically at Adelaide Central Gallery.
