In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
Helen Mueller has been printmaking for 25 years, but moving to Hobart four years ago shifted her focus to the local natural environment. Now her delicate prints, made with materials foraged from the forest floor, are showing at Handmark Gallery.
A Delicate Terrain, a new exhibition of works drawn from the Tweed Regional Gallery collection, looks at our relationship with the environment through the lens of contemporary art.
Chris Langlois explores the abstract nature and fugue-like quality of the ocean in his latest exhibition at Olsen Gallery, which presents a dozen new large-scale works with endless variations on the seascape.
Since 2021, mosaic artists around the world have been working together to draw attention to the plight of Afghan women under Taliban rule. Now, an exhibition at Canberra Glassworks is showing the massive contribution by Australian artists.
After six months on the long-abandoned third-floor of Flinders Street Station in Melbourne, TIME • RONE has found its way to Perth, inside the historical Centenary Galleries—a wing of the Art Gallery of Western Australia that has been closed for over 20 years.
Elizabeth Willing intersects her artistic practice with a love of food in Kitchen Studio, an ambitious project showing at Metro Arts as part of Brisbane Festival.
In his latest exhibition at the 4A Centre for Contemporary Art, Elyas Alavi reimagines the alam, an object used in Shi’a ceremonies, as a portal for queer Muslim experience.
In Lands of Light, Tasmanian Museum and Art Gallery focuses on Lloyd Rees’s (1895-1988) late paintings inspired by the Tasmanian landscape, while also contextualising them within his earlier work.
Tim Johnson’s latest exhibition at Tolarno Galleries is borne from a collaboration with a psychology professor and their mutual exploration of spiritual texts.
Jane Guthleben’s paintings bring native flora to life. In her show at Edwina Corlette, the Sydney-based artist is focusing on coastal plants and the sea around the region.
19th century paintings stand alongside contemporary pieces by Brook Andrew, Patricia Piccinini and Destiny Deacon, and others, in an exhibition rethinking the Australian landscape at Shepparton Art Museum.
