In the fibre of her being
“Textiles are a form of language, a dialect used to communicate,” says Sydney-based curator Sarah Rose.
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“Textiles are a form of language, a dialect used to communicate,” says Sydney-based curator Sarah Rose.
Samuel Tupou’s practice meditates on repetition and kinship.
Sovereign sisters: domestic work sheds light on Aboriginal and Torres Strait Islander women’s forced domestic service.
This year’s Floating Land is the eleventh iteration of the biennial outdoor sculpture festival based in Noosa Heads.
At first glance, Susanne Kerr’s large gouache paintings of delicate floral arrangements convey lightness and whimsy—but something else is going on under the surface.
“It transcends time and cultures,” says Geelong Gallery senior curator Lisa Sullivan of the well-known, perhaps even iconic, Frederick McCubbin painting A bush burial, 1890.
The Argentinian-Australian artist’s solo exhibition at Moore Contemporary is grounded in extensive ancestral research.
The art of Patrick Hall is like a repository of memory that weaves together poetic narratives of world history and personal experience, in particular the history of World War II. His work is now showing at Despard Gallery.
In Hapyhazard, online at Flinders Lane Gallery, Michael Gromm performs a lyrical dance between figuration and abstraction.
The winners of the Telstra National Aboriginal & Torres Strait Islander Art Awards (NATSIAA) have been announced with Western Australian artist Timo Hogan taking out the $50,000 Telstra Art Award with Lake Baker, 2020.
