In times of scarcity and the Anthropocene, our homes, dwellings and emergency shelters take on a charged, emotive, and fundamental meaning—as Kasia Töns’s textile creations, now at Ararat Gallery TAMA, show us.
The Australian art world is in mourning, having lost two art icons in one week. Following the recent passing of Destiny Deacon is the loss of contemporary photographer Rosemary Laing, one of Australia’s most revered photographic artists.
Festivals can be overwhelming, especially during a cost-of-living crisis. So we’ve curated the ‘must-see-but-on-a-budget’ art events at this year’s RISING—all free or low cost with no bookings required, from Richard Bell’s iconic Embassy tent to Jeremy Deller’s 24 Hour Rock Show to art-filled micro-bars.
Destiny Deacon “was an artist who understood all that matters”, says the writer and poet Tony Birch, one of many friends and fellow creatives attending to their grief over the death of the esteemed multimedia artist last week, at the age of 67.
As the harmony of nature feels increasingly fragile, what happens if your art centres nature itself? We asked five artists—Nici Cumpston, Karla Dickens, Jenna Lee, Janet Laurence and John Wolseley—how it feels to work with nature in these times.
Annika Romeyn uses watercolour, drawing and printmaking to capture—and revisit—the natural environment. In her latest show at Flinders Lane Gallery, she returns to the Old Mutawintji Gorge.
As Gina Rinehart calls for Vincent Namatjira’s portrait of her to be removed from the National Gallery of Australia, the rules of representation have come into question.
Illustrator Oslo Davis recently spent time with Raymond Arnold and Helena Demczuk at their Queenstown “creative lab” PressWEST, where the artist couple support exhibitions and workshops that not only centre printmaking, but care for land ravaged by mining.
Colossal in size and colour, Dale Frank’s paintings are staples of modern abstraction. With a current retrospective at the National Art School, curator Olivia Sophia takes us through Dale’s practice, traversing his weird and wonderful materials.
From the myth of gold-hunting termites to capturing minute rock particles, Nicholas Mangan’s survey at the Museum of Contemporary Art weaves narrative, materiality, and time.
Working between Indonesia and Australia, Jumaadi’s art draws on Javanese folk culture to excavate themes of colonialism, suffering, death and birth. His work is featured in an exhibition now showing at Bundanon Art Museum.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
