On the Origin of Art
With a keen eye on Darwinian theory, Mona’s David Walsh gathers four scientist-philosophers turned curators to ruminate on art’s beginnings.
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With a keen eye on Darwinian theory, Mona’s David Walsh gathers four scientist-philosophers turned curators to ruminate on art’s beginnings.
Ariel Hassan’s works are a vortex that spins together his philosophical, literary and political concerns, destroying, rearranging and reconfiguring them.
In a tiny outbuilding at the artist’s Melbourne home, Brooks’s studio is briskly cold on a midwinter’s day, yet the colours and materials piled inside are warmly engaging.
Gerard Byrne joins a group exhibition at Monash University Musuem of Art that assesses museums as an instrument to capture and preserve objects.
Justine Varga’s photographs capture the briefest moments. In Memoire she seizes, stretches and accumulates that instant.
A difficult education has not deterred Tony Albert from a pluralistic approach to making art – at once forgiving and subversive.
Opportunity beckons at the Murray Art Museum Albury for local Jo Davenport’s expressive, layered and shifting paintings.
In a world of porous borders, artist Ivan Sikic traverses contexts and countries drawing the global gaze to social justice issues.
A major focus of Parr’s practice over the last four decades has been the collection of information, artists’ ephemera and documentation of experimental practitioners, both international and Australian.
Contemporary Italian artist Francesco Clemente transforms Carriageworks into an opulent village.
Unafraid to fall, fail or question, Elizabeth Newman finds a rougher, unflinchingly honest edge to her paintings.
This year the Centre for Contemporary Photography turns 30. Over the decades, gallery directors have had to constantly reassess their strategies to keep up with shifting attitudes towards the medium of photography.
