Dark Country
Liam Garstang’s cross-disciplinary practice reveals a haunted, wounded vision of inland Australia.
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Liam Garstang’s cross-disciplinary practice reveals a haunted, wounded vision of inland Australia.
Incarceration is a long chapter in Australia’s history; a new exhibition looks at how detention continues to impact the world.
The more things change, the more they stay the same. What can a 500-year-old triptych by Hieronymus Bosch tell us about the current political climate?
A rare opportunity begets a rare challenge: extract 130 years of the Museum of Modern Art’s rich collecting in 200 works or less.
A group exhibition at Monash University Museum of Art examines the divide between architectural spaces of global power, and the most precarious of structures.
French artists Fabien Giraud and Raphaël Siboni speculate on the future of us, and the solar system, in a two part special at Mona.
Stieg Persson’s practice has dealt with a multiplicity of themes over the decades. His survey show reveals this polyphony, steadied by art history.
To coincide with The Field Revisited at NGV Melbourne, local Melbourne galleries have programmed complimentary shows. Most explore the influence of The Field on contemporary art practice, especially abstract art made today, often infused with colour that pops.
In Vanishing Point five artists come together to draw a net around the nebulous nature of islands.
A new exhibition at Burnie Regional Art Gallery, titled Push, Pull, Press, explores the multi-faceted world of etching, linocutting and engraving.
After a decade working at Tolarno Galleries in Melbourne, Radonich is keenly aware of the challenges she faces in stepping away from a big brand.
For many Melbournians their first experience with the not-for-profit arts sector is with West Space, the influential institution that is now celebrating its 25th year of existence.
