Four Aboriginal women artists are arming themselves with culture and art, showing us the power of matriarchal bonds and sisterhood, in These Arms Hold at Incinerator Gallery.
Described as a fair within the Fair, the PAPER sector of Sydney Contemporary—which encompasses prints, drawings, photography, artist books and zines—reveals the magic of the medium.
When does creative block transform into the timeless, untroubled space of creating? Artist Caitlin Aloisio Shearer likens the process to pushing a boulder up a hill.
In his first major exhibition in over a decade, now showing at Woollahra Gallery at Redleaf, Robert Eadie showcases his expansive oeuvre of paintings and drawings—a body of work developed over his 60-year career as an artist.
With the likes of Björk and Beyonce wearing her creations, within Dutch fashion designer Iris van Herpen’s surreal garments—which are showing at QAGOMA—couture becomes a canvas for the phenomena of nature.
Celebrating its 50th anniversary, Arts Project Australia continues to support and advocate for artists with an intellectual disability—while making the art world rethink its most basic assumptions.
This week, David Jones announced it is donating its archive to Sydney’s Powerhouse Museum. Objects from the archives are now on display at the former David Jones Art Gallery.
An important, beloved site for Central Australian arts, Araluen Arts Centre is now celebrating its 40th anniversary with a reflective exhibition highlighting its vast collection.
Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
Throughout her nine decades, Elizabeth Blair Barber used her vibrant social life as the wife of Charles Bunning (of the Bunnings hardware empire) to fuel her art practice and raise the profile of other female creatives by painting well-known figures from the West Australian art scene.
In the latest instalment of the Ladies Lounge saga at Hobart’s Museum of Old and New Art (MONA), curator Kirsha Kaechele has revealed she faked a number of Pablo Picasso paintings hanging in the gallery’s new ladies toilets, established in response to the forced closure of the Ladies Lounge earlier this year.
