Neridah Stockley’s deconstructed landscape
Through her painting and ceramics, Neridah Stockley balances the details of place with a bold distillation of colour and form.
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Through her painting and ceramics, Neridah Stockley balances the details of place with a bold distillation of colour and form.
Despite being in ongoing lockdown in Melbourne, Hannah Gartside is still creating, giving attention to the tactility, movement and histories of textiles.
Troy-Anthony Baylis uses glomesh and pop music to weave together queerness and Indigeneity.
How have Australia’s commercial galleries been faring through the last two years, and how are they feeling about the future? Mostly, it’s looking quite optimistic.
In this interview, William Robinson, 85-year-old painter of twisted otherworldly landscapes, reveals how he learned to translate both loss and time in his work.
With exhibitions postponed, ceramicist Ruth Ju-Shih Li’s great love of food has filled the space left by clay. Here she tells us the secrets and history of her Mapo Tofu recipe.
Whether snapping her iconic rock’n’roll portraits or intimate family moments, Linda McCartney was a trailblazer.
Break the 24-hour bad news cycle by watching, visiting and playing with art online.
Birds can tell stories of colonial movements, national identity and language.
In her Smartphone Snaps photo essay, Blue Mountains-based artist Vicky Browne makes the most of her home studio and furry menagerie, while missing exhibiting.
The confident, broad brushstrokes of Belem Lett’s new paintings seem to literally zoom around the picture plane, conveying a sense of speed and momentum as they slide across the works’ sleek aluminium surfaces.
Combining ancient technologies with digital platforms, craft festivals stitch and solder new connections across oceans and online.
