In This Brittle Light, at Buxton Contemporary, six Light Source Commissions, which began as online works during the pandemic, transition into the gallery space and underline why art matters, no matter where you see it.
Fiona Hall is a seasoned storyteller. In her installations EXODUST at AGNSW and Who goes here? at Hyde Park Barracks, she use the language of art – both subtle and bold – to step in where words fail.
Mapping data from conflict zones and disaster areas, Stanislava Pinchuk (also known as Miso) creates art that reflects upon trauma, memory and landscape.
Working with families and pensioners in her home province, photographer Tami Xiang reveals China’s stark rural/urban divide.
This Icon series exhibition delves into poetic microcosms with a sense of wonder.
One of Australia’s renowned illustrators, Oslo Davis, gives us a glimpse into the motivations, meaning and humour behind a recent collection of drawings.
“We want your blood,” declared Dark Mofo on Saturday. This was not a metaphorical call. This was a literal request of First Nations Peoples by Spanish artist Santiago Sierra.
The evolving collective this mob, founded by Kate ten Buuren, creates a nurturing and deadly space for Blak artists.
Now in its third iteration, The National 2021 is about care, hope, storytelling, and triumph through adversity.
In Flesh after Fifty more than 500 women tackle the twin battles of sexism and ageism, head on and clothes off.
Energetic, famously outspoken and determined, Elizabeth Ann Macgregor transformed the MCA, allowing free access for all — and for most of her 20 years as director, she was the only female head of a major Australian art museum.
The 2021 Adelaide//International features works by James Tylor, Fayen d’Evie, Taloi Havini and Jesse Jones. Together, at the Samstag Museum of Art, they ponder what a more equitable future might hold.
