The envy of the art world
Celebrating its 50th anniversary, Arts Project Australia continues to support and advocate for artists with an intellectual disability—while making the art world rethink its most basic assumptions.
Celebrating its 50th anniversary, Arts Project Australia continues to support and advocate for artists with an intellectual disability—while making the art world rethink its most basic assumptions.
This week, David Jones announced it is donating its archive to Sydney’s Powerhouse Museum. Objects from the archives are now on display at the former David Jones Art Gallery.
An important, beloved site for Central Australian arts, Araluen Arts Centre is now celebrating its 40th anniversary with a reflective exhibition highlighting its vast collection.
Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
Throughout her nine decades, Elizabeth Blair Barber used her vibrant social life as the wife of Charles Bunning (of the Bunnings hardware empire) to fuel her art practice and raise the profile of other female creatives by painting well-known figures from the West Australian art scene.
In the latest instalment of the Ladies Lounge saga at Hobart’s Museum of Old and New Art (MONA), curator Kirsha Kaechele has revealed she faked a number of Pablo Picasso paintings hanging in the gallery’s new ladies toilets, established in response to the forced closure of the Ladies Lounge earlier this year.
What can eco-conscious artists and galleries do to assist the battle against climate change? Deborah Hart, co-founder of CLIMARTE, is working to champion creative action in restoring a climate capable of sustaining life.
Care is a word thrown around not just the art world, but many facets of life. Now, a new exhibition between Brisbane’s Institute of Modern Art and Griffith University Art Museum is questioning the complexities of the word and action.
The assemblage of new motherhood, of shifting time and experience, is mirrored in Lillian O’Neil’s poignant artistic assemblages at UNSW Galleries.
From collecting artworks to experiencing the nexus of art and technology, across Darwin, North Queensland, South Australia, Melbourne, Sydney and much more, here’s our curated list of the arts festivals and fairs still to come in 2024.
In Hair Pieces at Heide Museum of Modern Art, hair symbolises the burden of gendered labour—while speaking to how bodies are subject to wider tensions between freedom and control.