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John Stezaker: Lost World
Not unlike the vintage photographs he works with, John Stezaker was unearthed after decades of obscurity.
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Angela Tiatia: Holding On
Angela Tiatia’s work resonates with bravery and energy – in Holding On, she pits herself against the forces of nature.
By Varia Karipoff
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Captain of Industry
John Nicholson’s latest body of work draws on industrial production, both in its medium and as its muse.
By Andrew Stephens
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The Curator’s Voice
The question was posed to four Melbourne curators, ‘what are you currently excited about in the Melbourne art scene?’
By Zara Sigglekow
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Changing Nature
Artists draw on the mist-veiled past to map the shifting, shrinking landscape of China.
By Sheridan Coleman
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American Masters
Canberra’s National Gallery of Australia is plunging into its American collection, with the works that put it on the map.
By Briony Downes
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Art aficionados
Volunteers are the secret to the smooth running of day-to-day operations at many of Melbourne’s art galleries. We decided to find out more about this group of art devotees and spoke with six individuals who shared their views on life as a volunteer at an art gallery.
By Jesse Marlow
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Bricks and mortar
While many aspects of running a commercial gallery have changed since the 1960s, some things have remained the same. Two stalwarts of Melbourne’s art scene, Bill Nuttall and Stuart Purves, reminisce about the early days.
By Andrew Stephens
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Tangle of Memories
Chiharu Shiota returns, interlacing thread to form a phenomenal room-sized installation at the Art Gallery of South Australia.
By Steve Dow
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NAVA and artists look for a Future/Forward
Art Guide Australia’s Louise Martin-Chew attended the 2018 NAVA Future/Forward forum in Canberra. She reports on efforts to get art back on the political agenda.
By Louise Martin-Chew
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Podcast: Georgina Cue on reality, fantasy and imagery
In many of Georgina Cue’s photographs, the artist lies in a staged setting. She is surrounded by makeshift objects and structures, which are overloaded with a series of diverging allusions.
By Tiarney Miekus
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Five on Five: Prudence Flint on Dieric Bouts’ Virgin and Child
In this first series of Five on Five we’re asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Prudence Flint reflects on Virgin and Child (1455-60) by Dieric Bouts.