Richard Bell’s art is a call for social justice that’s equally serious, poetic and darkly humorous. Here, the renowned Indigenous artist tells us the personal and compelling stories behind five of his artworks.
With the first participants announced, the 23rd Biennale of Sydney is centred on rīvus, a Latin word which can be translated as ‘stream’.
In the group show Void, curator Emily McDaniel from the Kalari Clan of the Wiradjuri nation in central New South Wales invoked the void as a space occupied by Indigenous knowledge, stories and meaning.
With an eye for capturing the colonial holds of history while communicating her profound spiritual connection to Country, in My Place – Before Marlene Gilson paints the history of her home.
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