Capalaba, in Redland city outside Brisbane, is a quiet place to see Glenda Orr’s Log: Filter-Frame-Forest, a restrained yet revolutionary exhibition. Orr is an artist whose previous careers include some years as a scientist. Her conceptual rigour is evident in her approach, technical expertise and depth of practice across media that includes prints, artist books, and small scale sculpture.
This exhibition is tightly themed around wood: from the macro of trees and logs down to the micro scale of broken and crushed detritus collected with other seeds and natural elements. A collection of axes, titled X-Y Axes, 2015-16, draw the viewer close to examine their detail. These tiny axes are constructed from seeds, wood chips and fragments gathered at the Bimblebox Nature Reserve in western Queensland, set in epoxy resin, and presented in a grid. Together this collection forms a cross that reads in colour like rust: a cemetery-like field that casts larger shadows, to suggest, as Orr said, “death by small cuts.”
The scale of this work is humble, but demands attention, suggesting a focus on the fragility of the earth and environment itself.
Other works digitise trees, imposing grid-lines that sit between our eyes and the printed image, like a filter of our humanity and experience. Bimblebox Sky Map is created with resins taken from trees from nature yet given an alien application as paint. The sawn logs are printed to scale with edges toward the viewer, descriptive of the way we see them on the back of trucks, yet their individuality brands each piece as important. Other prints are created on redundant graph paper. Up close and around the edges, embossed paper shows scale measured in imperial inches and definitions that may suggest looming extinction; trees as relics of past experience.
Experiences at the Royal Brisbane Agricultural Show and the ‘wood chop’ event, word play that engages with the multiple meanings of ‘log’ and vignettes of natural forest and timbers create a push/pull effect on the viewer. Orr’s work within the artist camp environment at the Bimblebox Nature Reserve brings the humility and power of an important yet remote area into the city. Her depiction of dead trees acknowledges their role as habitat, using paint created with natural saps, on a ‘disruptive’ underlay. Straight grid-lines are juxtaposed with natural wandering ones, the clash of nature and humanity writ large.
Glenda Orr: Log: Filter-Frame-Forest
Capalaba Art Gallery
14 May – 9 July
Glenda Orr: Wood Land Log
Bosz Gallery
5 July – 17 July
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
In Anmatyerr artist Elizabeth Mbitjana Pitijana’s first solo exhibition in Melbourne—which focuses on the Central Desert food source Arnwekety (bush plum)—the influence and love of her Country and culture is palpable. Elizabeth Mbitjana Pitijana is now showing at Niagara Galleries.
In two new exhibitions at the Art Gallery of New South Wales, René Magritte and Cao Fei speak to each other across cultures and eras about the way that perception can unsettle reality—and the places the real intersects with the surreal.
