Suggested Reading
Janine Combes’s material stories
In her latest exhibition at Plimsoll Gallery, Janine Combes uses her background as a jewellery maker to create a body of work inspired by abandoned towns once marked for settlement in Tasmania.
Briony Downes
Poetic relations at the 11th Asia Pacific Triennial of Contemporary Art
Bringing together 70 artists from 30 countries, the 11th Asia Pacific Triennial of Contemporary Art fosters connections across cultures and borders, and translates cultural knowledge for the present day.
Steve Dow
Julie Mehretu and the new contemporary
Julie Mehretu’s first solo exhibition in the southern hemisphere, now showing at the Museum of Contemporary Art, attempts to harness the urgency and energy of the Ethiopian-born New Yorker’s multilayered painting practice.
Courtney Kidd
Angelica Mesiti’s The Rites of When finally makes sense of the Art Gallery of NSW’s Tank. It is worth the plane flight.
In The Rites of When, Angelica Mesiti considers the rituals that may mark the seasons in our burning planet. The Tank has been waiting for art like this.
Joanna Mendelssohn
Archie Moore’s family ties
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at this year’s Venice Biennale is a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead.
Maya Hodge
Vipoo Srivilasa on heritage and healing
Vipoo Srivilasa is a Melbourne-based, Thai-born Australian artist whose ceramic artworks emanate a sense of positivity, playfulness and joy. In an interview with fellow ceramicist Sassy Park, he discusses his early introduction to the medium, curating the Australian-Asian ceramic exhibition Generation Clay, and his upcoming project re/JOY.