Truth Bomb
Suggested Reading
Lost in Space: A Conversation with Cao Fei
Luise Guest speaks with internationally acclaimed multimedia artist Cao Fei—whose work is on show at the Art Gallery of New South Wales—about why the city is a repository of memory and the power of the places we forget or overlook.
Luise Guest
Tony Clark and the other side of sculpture
For over four decades, Tony Clark’s painting practice has merged a deep appreciation for art history with a desire to push beyond the traditional confines of prescribed mediums. His latest exhibition at Buxton Contemporary focuses on sculpture—or the idea of it.
Sally Gearon
Carol Jerrems’ maternal inheritances
Carol Jerrems’ intimate and revealing portraits of women, now showing at the National Portrait Gallery, are a touchstone for a generation of writers and photographers. For Josephine Mead, they also galvanise the power—and limits—of feminist legacy five decades on.
Josephine Mead
Falling Better with Patrick Pound
For Patrick Pound, whose new installation The Museum of Falling is on show now at the City Gallery, the arrangement of objects and images has long blurred the line between fact and fiction, jolting our perception in surprising and unusual ways.
Peter Hill
Inside Sandra Black’s light-filled Fremantle studio
Sandra Black is best known for her distinctive carved and pierced porcelain vessels, which are now showing in a comprehensive survey show at the Art Gallery of Western Australia. We step inside Black’s light-filled Fremantle studio, where she has worked since 1988.
Rosamund Brennan
The undeniable power of Josina Pumani’s Maralinga
Josina Pumani’s electric ceramic work Maralinga—recently recognised at the National Aboriginal and Torres Strait Islander Art Awards— deftly excavates a long-hidden past.
Jessica Alderton
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