Truth Bomb
Suggested Reading

Serwah Attafuah: a powerful and most welcome voice in contemporary Australian art
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
Dominic Redfern

Anne Dangar: Uncovering a Cubist pioneer
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
Camilla Wagstaff

Time scales
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
Barnaby Smith

Desert Mob
First held in 1990 at Araluen Arts Centre in Alice Springs, Desert Mob is the oldest of Australia’s thriving annual program of Aboriginal art fairs. With its 30th anniversary coming up in September 2020, Kate Hennessy looks back on Desert Mob 2019.
Kate Hennessy

Bhenji Ra dreams in dance
In Biraddali Dancing on the Horizon, now showing at Perth Institute of Contemporary Arts (PICA), Australian-Filipina artist Bhenji Ra explores pangalay—a dance form indigenous to the Tausug and Bajau peoples from the Sulu Archipelago and Sabah in the Philippines.
Josephine Mead

Family matters
An exhibition now showing Adelaide Contemporary Experimental—with the likes of Atong Atem, Jacob Boehme and Marikit Santiago—explores the concept of family through the lens of First Nations and culturally diverse artists.
Giselle Au-Nhien Nguyen
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