Suggested Reading
Latai Taumoepeau’s narrative flow
Existing in the space between ritual, performance and ceremony, the body-centred work of Latai Taumoepeau rewrites the stories that shape our perception of Oceania—while using ancient traditions to tackle our most urgent modern concerns. Taumoepeau is now participating in Re-Stor(y)ing Oceania at Artspace.
Rayleen Forester
Aisha Sherman-Noth wins the 2025 Glover Prize
Congratulations to Aisha Sherman-Noth, who has won the 2025 Glover Prize for Weeping birches on the avenue. The Tasmanian-based artist wins $80,000 for the painting, which depicts weeping birch and poplar trees along the Brooker Highway into Hobart.
Art Guide Australia
Making material change
Now showing at Manly Art Gallery & Museum, the 5th Tamworth Textile Triennial: Residue + Response, showcases 25 diverse artworks and considers what contemporary textiles can be.
Josephine Mead
Yona Lee’s object lessons
For the Auckland-based artist Yona Lee, who has a new commission at the Melbourne Art Fair, function is a source of formal possibility and ordinary material moulds space in extraordinary ways.
Giselle Au-Nhien Nguyen
Pure Shores: On the allure of Henry Roy’s Impossible Island
The images of Haitian-French photographer Henry Roy—on display for the first time at the Art Gallery of Western Australia—are a tribute to the landscapes that loom large in our imagination and a beguiling antidote to the brutality of the world.
Michael Sun
Gregory Hodge looks beyond the surface
The quietly evocative new paintings of Gregory Hodge, now showing at Sullivan+Strumpf Sydney, are a lesson in the places where abstraction and figuration intersect.