Mel O’Callaghan: Centre of the Centre
Suggested Reading

Chinese Restaurant Playground: Steffie Yee shares off-menu stories
Steffie Yee spent many years gathering stories and images of her family’s history in the town of Branxton, NSW where her parents successfully ran a Chinese restaurant. Yee’s solo exhibition Chinese Restaurant Playground, which celebrates playfulness and joy, recently opened at the Maitland Regional Art Gallery.
Jasmeet Kaur Sahi

Wang Zhiyuan and our roles as little dictators
In an era of information excess and manipulation, Wang Zhiyuan’s Dictator Training Centre exhibiting at Passage Gallery, reminds us of contemporary art’s potential as an open-ended platform for reflection, dialogue, and shared authorship.
Michelle Wang

Shelf Portraits: Critical Currents
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
Jane O'Sullivan

Phuong Ngo’s ancestral legacies
Phuong Ngo’s first major solo exhibition Inheritance, now showing at West Space, spans generations and continents, incorporates objects bought and sold across family lines, and draws on both spiritual and everyday rituals.
Bec Gallo

The balance of tension
At once an exhibition, performance series, and community-led workshops, Push / Pull is an ambitious program that brings together themes and areas of focus that honour the histories of Adelaide Contemporary Experimental as a platform for radical experimentation.
Bec Gallo

What if I am more real when I’m projecting?
Inspired by different genres of fiction and digital media, the artists in Ghost in the Machine at Outer Space, Brisbane consider avatars, ghosts, masks and levels of embodiment to ask: what if I’m more real when I’m projecting?
Josephine Mead
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