Look behind the Archibald paintings in ‘Archie 100: A Century of the Archibald Prize’
Suggested Reading

Creativity beyond mortality
Have you ever wondered if someone who is no longer alive could create art? In answer to this question, biological artists Guy Ben-Ary, Nathan Thompson and Matt Ringold, in collaboration with the now deceased Alvin Lucier, have extended the experimental composer’s “ideas about the resonance of sound” for their immersive exhibition, Revivification at the Art Gallery of Western Australia.
Giselle Au-Nhien Nguyen

Shadow and light
A quiet power pulses through It’s Always Been Always at Fremantle Arts Centre, where six First Nations women artists reflect on kinship, Country and cultural memory.
Rosamund Brennan

Sammy Hawker’s acts of co-creation
Under Sammy Hawker’s gentle guidance, whale song takes shape, ocean water becomes collaborator, salt crystals scatter themselves like stars across analogue film, and ashes murmur secrets onto silver nitrate-soaked paper. Through what she terms “facilitated acts of co-creation,” Hawker gives voice to places, materials, and the more-than-human world.
Camilla Wagstaff

Art in the Age of Destruction
Curator and proud palawa/pallawah woman, Dr Jessica Clark’s latest exhibition In the air at The Substation connects First Nations and non-First Nations artists in a response to human consumption and environmental destruction through reflection, resistance and redirection.
Michelle Wang

Wang Zhiyuan and our roles as little dictators
In an era of information excess and manipulation, Wang Zhiyuan’s Dictator Training Centre exhibiting at Passage Gallery, reminds us of contemporary art’s potential as an open-ended platform for reflection, dialogue, and shared authorship.
Michelle Wang

Max Mueller paints propulsively
Hobart-based Max Mueller’s In the Sticks exhibition at Handmark Gallery features oil-on-linen works that show tranquil scenes of Tasmania, musing on how nature is managed and maintained in a context of civilisation and curation.
Barnaby Smith
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