Suggested Reading
Kate Vassallo draws the line
Kate Vassallo’s Ripple marks the conclusion of Artereal Gallery’s exhibition program, as the Sydney gallery is closing its doors after nearly two decades.
Camilla Wagstaff
Another side of the story
A new exhibition at Bendigo Art Gallery takes us deeper into the life of the often-mythologised artist Frida Kahlo, through her personal photographs, clothing and objects, borrowed from Casa Azul, Kahlo’s house museum in Mexico.
Giselle Au-Nhien Nguyen
The Hermannsburg Potters tell stories of Country through clay
Using a hand coil pinch technique, the pots created by the Hermannsburg Potters of Western Arrarnta in Central Australia illustrate the lived histories of the artists and their surrounding Country. Their latest creations are now showing at Bett Gallery in Hobart.
Briony Downes
The different strokes of Ethel Carrick
The paintings of Ethel Carrick—whose legacy is being celebrated via a new exhibition at the National Gallery of Australia—offer distinctive and poignant lessons in seeing the world.
Sally Gearon
Home truths
Material concerns such as housing can determine an artist’s wellbeing and sense of possibility—an idea that is often overlooked by romantic ideas of art making that are out of sync with our current reality. How can artists navigate a society in which reliable shelter is elusive? And can art itself help us reimagine what it means to achieve secure footing in an increasingly volatile world? Jo Higgins investigates.
Jo Higgins
Carol Jerrems’ maternal inheritances
Carol Jerrems’ intimate and revealing portraits of women, now showing at the National Portrait Gallery, are a touchstone for a generation of writers and photographers. For Josephine Mead, they also galvanise the power—and limits—of feminist legacy five decades on.