Suggested Reading
Community, connection and camera obscura with Claire Conroy
Community is the foundation of Claire Conroy’s exhibition at Lismore Regional Gallery. As a new arrival to the area, her art practice ties her to fellow artists, while her medium, camera obscura, allows for a deepening of social connections with her sitters as they commit to the shoot.
Emma-Kate Wilson
Remy Faint explores material culture in his garage-studio
Step inside Remy Faint’s inner-city Sydney garage, where he meticulously constructs every element of his artworks—from wooden frames and sculpted fabric to striking, multilayered paintings in silk. Faint is now showing at the Rockhampton Museum of Art.
Michelle Wang
What if I am more real when I’m projecting?
Inspired by different genres of fiction and digital media, the artists in Ghost in the Machine at Outer Space, Brisbane consider avatars, ghosts, masks and levels of embodiment to ask: what if I’m more real when I’m projecting?
Josephine Mead
Pia Murphy’s natural discoveries
Pia Murphy leans into curiosity for her latest exhibition at Nicholas Thompson Gallery. Look What I Found is “referring to that experience in childhood of discovering surprising things in nature.” It’s a methodology Murphy uses in her practice, working with the sole intention of honest discovery.
Sally Gearon
Collaboration as the site of cultural memory
In Fairfield City Museum & Gallery’s latest exhibition Within Heaven and Earth, seven artists, including Linda Sok and Tianli Zu, use storytelling as a device to explore personal identity and cultural memory.
Jasmeet Kaur Sahi
Thom Roberts’ world-building approach to portraiture
The works of Thom Roberts are immediate in their charm, yet underpinned by poignant reflections on identity, perspective and belonging. His exhibition at the National Portrait Gallery in Canberra marks the artist’s first major solo show, bringing together more than a decade’s work spanning painting, installation, sculpture, animation, and works on paper.