Suggested Reading
What if I am more real when I’m projecting?
Inspired by different genres of fiction and digital media, the artists in Ghost in the Machine at Outer Space, Brisbane consider avatars, ghosts, masks and levels of embodiment to ask: what if I’m more real when I’m projecting?
Josephine Mead
Generation, making and exchange in Queer Territory
In Queer Territory at the Northern Centre for Contemporary Art, Darwin, curator Maurice O’Riordan has drawn together diverse works from the 1980s to the present day to present a snapshot of queer practice in the Territory.
Josephine Mead
Flying high at the TarraWarra Biennial
Taking an expanded approach to Indigenous curatorial practice, the ninth TarraWarra Biennial features work responding to themes of regeneration, restoring spirit, and disrupting colonial space. Three artists discuss their contributions.
Giselle Au-Nhien Nguyen
Anne Dangar: Uncovering a Cubist pioneer
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
Camilla Wagstaff
A reason for paws
Cats & Dogs, now showing at the National Gallery of Victoria, explores the ways that the relationships we share with our pets are a source of strangeness and intimacy. But for Giselle Au-Nhien Nguyen, it’s also an exercise in the power of seeing and being seen.
Giselle Au-Nhien Nguyen
Collaboration as the site of cultural memory
In Fairfield City Museum & Gallery’s latest exhibition Within Heaven and Earth, seven artists, including Linda Sok and Tianli Zu, use storytelling as a device to explore personal identity and cultural memory.