Suggested Reading
Dale Chihuly peers through the looking glass
The glass sculptures of Dale Chihuly, now on display at Adelaide Botanic Garden, speak to the power and pitfalls of visual pleasure in an increasingly contested world.
Neha Kale
Joan Ross and the past imperfect
Joan Ross has long used her multidisciplinary practice to challenge the enduring legacy of colonialism in Australia. Her latest exhibition at the National Portrait Gallery shows significant works from throughout her career alongside key pieces from the NPG collection.
Sally Gearon
Kate Vassallo draws the line
Kate Vassallo’s Ripple marks the conclusion of Artereal Gallery’s exhibition program, as the Sydney gallery is closing its doors after nearly two decades.
Camilla Wagstaff
The different strokes of Ethel Carrick
The paintings of Ethel Carrick—whose legacy is being celebrated via a new exhibition at the National Gallery of Australia—offer distinctive and poignant lessons in seeing the world.
Sally Gearon
Khaled Sabsabi on the 61st Venice Biennale: “We need a way forward to exist and co-exist.”
After announcing last week that artist Khaled Sabsabi and curator Michael Dagostino would represent Australia at the 2026 Venice Biennale, Creative Australia has made the unprecedented decision to drop the team.
Steve Dow
Desert Mob
First held in 1990 at Araluen Arts Centre in Alice Springs, Desert Mob is the oldest of Australia’s thriving annual program of Aboriginal art fairs. With its 30th anniversary coming up in September 2020, Kate Hennessy looks back on Desert Mob 2019.