Desert Mob
Suggested Reading

Creativity beyond mortality
Have you ever wondered if someone who is no longer alive could create art? In answer to this question, biological artists Guy Ben-Ary, Nathan Thompson and Matt Ringold, in collaboration with the now deceased Alvin Lucier, have extended the experimental composer’s “ideas about the resonance of sound” for their immersive exhibition, Revivification at the Art Gallery of Western Australia.
Giselle Au-Nhien Nguyen

Shadow and light
A quiet power pulses through It’s Always Been Always at Fremantle Arts Centre, where six First Nations women artists reflect on kinship, Country and cultural memory.
Rosamund Brennan

Sammy Hawker’s acts of co-creation
Under Sammy Hawker’s gentle guidance, whale song takes shape, ocean water becomes collaborator, salt crystals scatter themselves like stars across analogue film, and ashes murmur secrets onto silver nitrate-soaked paper. Through what she terms “facilitated acts of co-creation,” Hawker gives voice to places, materials, and the more-than-human world.
Camilla Wagstaff

Silent Spring
The cancellation of Khaled Sabsabi’s presentation at Venice Biennale signals a long-simmering breakdown of trust between artists and institutions—one that risks threatening the breadth and depth of artistic expression in Australia for generations to come. Dee Jefferson reports.
Dee Jefferson

Cosmic connections with Man&Wah
With an approach to artmaking drawn from the “fieldwork of life”, twin brothers and artistic collaborators Man&Wah, who are now showing at 4A Centre for Contemporary Asian Art, use plant migration to explore duality and movement.
Cher Tan

Janenne Eaton reflects the impact of the digital world on the natural
Janenne Eaton’s first major career survey, Lines of Sight—Frame and Horizon opens at Geelong Gallery. With a lifetime of environmental work and appreciation, the work reflects on the omnipotence of technology, capturing the essential commentary of humanity’s effect on the natural world.
Steve Dow
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