Australia at the Venice Biennale: A Century of Contemporary Art
Suggested Reading
Sustaining culture with Gillian Kayrooz
To coincide with the presentation of the 3rd Bankstown Biennale: Same Same/Different, Gillian Kayrooz spoke to Karina Dias Pires about how food can express the complexities of culture and difference—and spark unlikely connections across time and place.
Karina Dias Pires
Abstracting time
From Mark Rothko and Agnes Martin to Lindy Lee and Paul Knight, an exhibition at Ipswich Art Gallery uses the expanded field of abstraction to encourage deliberate and slow looking.
Sally Gearon
Inside Sandra Black’s light-filled Fremantle studio
Sandra Black is best known for her distinctive carved and pierced porcelain vessels, which are now showing in a comprehensive survey show at the Art Gallery of Western Australia. We step inside Black’s light-filled Fremantle studio, where she has worked since 1988.
Rosamund Brennan
20/20 vision: on the legacy of un Magazine
un Magazine was conceived to champion courageous art criticism in an art world too often shaped by power and influence, a mission that still endures two decades on.
Andrew Stephens
Falling Better with Patrick Pound
For Patrick Pound, whose new installation The Museum of Falling is on show now at the City Gallery, the arrangement of objects and images has long blurred the line between fact and fiction, jolting our perception in surprising and unusual ways.
Peter Hill
65,000 Years brings truth telling to art history
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
Jane O'Sullivan
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