Suggested Reading
What if I am more real when I’m projecting?
Inspired by different genres of fiction and digital media, the artists in Ghost in the Machine at Outer Space, Brisbane consider avatars, ghosts, masks and levels of embodiment to ask: what if I’m more real when I’m projecting?
Josephine Mead
Generation, making and exchange in Queer Territory
In Queer Territory at the Northern Centre for Contemporary Art, Darwin, curator Maurice O’Riordan has drawn together diverse works from the 1980s to the present day to present a snapshot of queer practice in the Territory.
Josephine Mead
Flying high at the TarraWarra Biennial
Taking an expanded approach to Indigenous curatorial practice, the ninth TarraWarra Biennial features work responding to themes of regeneration, restoring spirit, and disrupting colonial space. Three artists discuss their contributions.
Giselle Au-Nhien Nguyen
A soft touch
An exhibition of the work of seven women artists at Ngununggula in the Southern Highlands of New South Wales explores themes of tenderness and care through the rich possibilities of paint.
Emma-Kate Wilson
20 Questions: Laura Jones on painting processes
From painting rituals to an obsession with flowers, we caught up with Laura Jones to discuss her process and practice, her current solo show at Jan Murphy Gallery, and what it was like to win the Archibald Prize for her painting of Tim Winton.
Sally Gearon
The 2025 Archibald Prize finalists have been announced
The finalist portraits in the biggest Australian art award of the year have been announced, alongside the winner of The Packing Room Prize: Abdul Abdullah for his portrait of fellow artist Jason Phu.