AGWA 1979, A Brutalist Gallery in Perth
Suggested Reading

Unboxing the cultural impact of sneakers
Sneakers are a cultural phenomenon made up of paradoxes. Some see them as an accessible and inclusive force in fashion that serve as an outlet of self-expression for many; yet to others they are a symbol of out-of-control consumerism. Two Queensland exhibitions are embracing these dualities, though from contrasting angles: Sneakers Unboxed: Studio to Street at HOTA on the Gold Coast, and Torsion at Brisbane’s Metro Arts.
Barnaby Smith

Betty Muffler on ways of healing Country
For Betty Muffler art making and healing are indistinguishable. Evoking Country through the view of the eagle, she’s now showing in the NGV Triennial alongside a host of international names.
Maya Hodge

The spirit of Emily Kam Kngwarray’s Country
A comprehensive new survey at the National Gallery of Australia pays tribute to Emily Kam Kngwarray and the Country she loved.
Andrew Stephens

The women raised by wolves
From crones to witches to grandmothers, the feminine monstrosity offered by fairy tales is an antidote to our current, unsatisfying forms of female transgression—as a new exhibition at the Gallery of Modern Art reveals.
Neha Kale

The interactive art of Rafael Lozano-Hemmer: psychic resonance, surveillance and a murmuration of lights
“They stole my face,” shouts a ten-year-old boy into a microphone, before stomping away. We are in the Rafael Lozano-Hemmer exhibition Atmospheric Memory at the Powerhouse in Sydney. The boy’s photograph was taken as soon as he entered the exhibition and then publicly projected onto his shadow.
Prudence Gibson and Edward Scheer

Inside Kirtika Kain’s Sydney apartment, and now studio
Kirtika Kain’s Western Sydney apartment on Dharug Country is crowded with boxes of materials and new canvases. She came back from a residency in Italy in late 2022 and since then she’s been living alongside her work, preparing for her solo exhibition at Roslyn Oxley9 and for the Biennale of Sydney next year. The cohabitation has been intense and sometimes messy, but Kain says studio life is teaching her new confidence.