Artists need not fear the spectre of AI-generated art. Instead, Oslo Davis suggests, we need to start reaping the rewards.
Suggested Reading
Serwah Attafuah: a powerful and most welcome voice in contemporary Australian art
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
Dominic Redfern
Anne Dangar: Uncovering a Cubist pioneer
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
Camilla Wagstaff
Time scales
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
Barnaby Smith
Pure Shores: On the allure of Henry Roy’s Impossible Island
The images of Haitian-French photographer Henry Roy—on display for the first time at the Art Gallery of Western Australia—are a tribute to the landscapes that loom large in our imagination and a beguiling antidote to the brutality of the world.
Michael Sun
Amanda Bell makes light work
Amanda Bell’s poignant new commission for the Perth Institute of Contemporary Arts transforms the heaviness of history and unsettles hierarchies of place.
Claire G. Coleman
Family matters
An exhibition now showing Adelaide Contemporary Experimental—with the likes of Atong Atem, Jacob Boehme and Marikit Santiago—explores the concept of family through the lens of First Nations and culturally diverse artists.