Artists need not fear the spectre of AI-generated art. Instead, Oslo Davis suggests, we need to start reaping the rewards.
Suggested Reading
Piercing the veil
A new exhibition at Buxton Contemporary finds a rich complexity in the shadowy terrain between life and death.
Claire G. Coleman
Conversation across continents
In Cézanne to Giacometti: Highlights from Museum Berggruen / Neue Nationalgalerie currently showing at the National Gallery of Australia, viewers are invited to share a journey through the history of modern art from across the globe.
Courtney Kidd
Shelf Portraits: Yhonnie Scarce’s artwork and research in print
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
Jane O'Sullivan
The Ramsay Art Prize takes the temperature of contemporary art
Every two years, the Ramsay Art Prize opens to Australian artists under 40 working in any medium. Presented by the Art Gallery of South Australia and supported in perpetuity by the James & Diana Ramsay foundation, the prize seeks to spotlight contemporary artists at a formative moment in their careers.
Walter Marsh
Generation, making and exchange in Queer Territory
In Queer Territory at the Northern Centre for Contemporary Art, Darwin, curator Maurice O’Riordan has drawn together diverse works from the 1980s to the present day to present a snapshot of queer practice in the Territory.
Josephine Mead
Flying high at the TarraWarra Biennial
Taking an expanded approach to Indigenous curatorial practice, the ninth TarraWarra Biennial features work responding to themes of regeneration, restoring spirit, and disrupting colonial space. Three artists discuss their contributions.