Artists need not fear the spectre of AI-generated art. Instead, Oslo Davis suggests, we need to start reaping the rewards.
Suggested Reading
Barbara Kruger: THINK OF ME THINKING OF YOU
For decades, beginning well before the advent of social media, Barbara Kruger’s prescient use of words and text has invited people to consider their context in contemporary society. In Brisbane, between 4–7 September, audiences may experience her concise, dynamic aesthetic within the internationally acclaimed Gems delivered by choreographer Benjamin Millepied and the L.A. Dance Project.
Louise Martin-Chew
The Hadley’s Art Prize Winner is announced
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
Art Guide Australia
Listening with Discomfort and Possibility
For Listening Acts at the Now or Never Festival, the music and performance company Chamber Made invited artists to interrogate the intersection between the body, listening and technology.
Josephine Mead
Grace Wood: Holding snails, snakes, and a grandmother’s legacy
Grace Wood’s new exhibition for Heide Museum of Modern Art intertwines personal, familial, and artistic archives. Consisting of textile and digital collage, Wood traces lines of inheritance and influence to position the garden as a site of both personal and artistic cultivation.
Amelia Wallin
Conversation across continents
In Cézanne to Giacometti: Highlights from Museum Berggruen / Neue Nationalgalerie currently showing at the National Gallery of Australia, viewers are invited to share a journey through the history of modern art from across the globe.
Courtney Kidd
Jennifer Mills on connecting everything
A survey exhibition spanning the 30-year practice of Jennifer Mills brings together bodies of works grounded in precision and tenderness at Bunjil Place Gallery.