Artists need not fear the spectre of AI-generated art. Instead, Oslo Davis suggests, we need to start reaping the rewards.
Suggested Reading
From the archive: art and motherhood
From matrescence-themed collages and intimate family portraits to a series of events centred on the intersection of design and fertility, revisit six pieces from the Art Guide archives that explore the relationship between art and motherhood.
Art Guide Australia
Jose Dávila’s balancing act
In his first commercial presentation in Australia, one of Mexico’s most acclaimed contemporary artists uses his architectural background to create poetic, finely calibrated sculptural investigations of spatial perception, balance and equilibrium. Jose Dávila’s Physics of Uncertainty is now showing at COMA Gallery.
Jo Higgins
Tina Havelock Stevens: Everything all at once
Tina Havelock Stevens likes to feel the wind in her hair, which probably goes some way to explaining the generous punk spirit that infuses her multidisciplinary practice, the subject of the exhibition Now is a Beginning at Bathurst Regional Art Gallery.
Jo Higgins
Serwah Attafuah: a powerful and most welcome voice in contemporary Australian art
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
Dominic Redfern
Latai Taumoepeau’s narrative flow
Existing in the space between ritual, performance and ceremony, the body-centred work of Latai Taumoepeau rewrites the stories that shape our perception of Oceania—while using ancient traditions to tackle our most urgent modern concerns. Taumoepeau is now participating in Re-Stor(y)ing Oceania at Artspace.
Rayleen Forester
Shadow hunting with James Tylor
The quietly evocative work of James Tylor reimagines imperial legacies and illuminates a hidden past. Turrangka… In The Shadows, Tylor’s touring retrospective exhibition, is now showing at Mornington Peninsula Regional Gallery.