Artists need not fear the spectre of AI-generated art. Instead, Oslo Davis suggests, we need to start reaping the rewards.
Suggested Reading
The 2025 NATSIAA winners are announced
Gaypalani Waṉambi has just won the 2025 National Aboriginal and Torres Strait Islander Art Award (NATSIAA), Australia’s longest running and most prestigious art awards of its kind.
Art Guide Australia
Jennifer Mills on connecting everything
A survey exhibition spanning the 30-year practice of Jennifer Mills brings together bodies of works grounded in precision and tenderness at Bunjil Place Gallery.
Questions from the boulevard
‘North Terrace: worlds in relief’ showing at Samstag Museum of Art, invites viewers to reflect on the complicated legacies of the cultural institutions that line Adelaide’s North Terrace.
Walter Marsh
Max Athans and the proxy breath
The central life-giving gesture of the breath is at the core of Max Athans’ first institutional solo exhibition. Their series of sculptures, collectively titled Breathform, take air into latex ‘lungs’ which create a whistle in the exhale, a deep breathy sound that echoes eerily through the galleries.
Louise Martin-Chew
The Ramsay Art Prize takes the temperature of contemporary art
Every two years, the Ramsay Art Prize opens to Australian artists under 40 working in any medium. Presented by the Art Gallery of South Australia and supported in perpetuity by the James & Diana Ramsay foundation, the prize seeks to spotlight contemporary artists at a formative moment in their careers.
Walter Marsh
Sophie Penkethman-Young’s Scroll Play
Sophie Penkethman-Young dives into the cursed, chaotic and charming depths of the online world to create inquisitive artworks exploring technology, the internet and capitalism with humour.