Artists need not fear the spectre of AI-generated art. Instead, Oslo Davis suggests, we need to start reaping the rewards.
Suggested Reading
Trevor Vickers and the abstraction of light
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
Steve Dow
Julie Gough on history’s many afterlives
In GHOSTLAND, her new exhibition at the ANU Art & Design Gallery, Julie Gough continues her lifelong inquiry into gaps and silences—while conjuring the apparitions that haunt Tasmania’s colonial past.
Briony Downes
Angelica Mesiti’s The Rites of When finally makes sense of the Art Gallery of NSW’s Tank. It is worth the plane flight.
In The Rites of When, Angelica Mesiti considers the rituals that may mark the seasons in our burning planet. The Tank has been waiting for art like this.
Joanna Mendelssohn
Designing the future of Australia’s waterways with Reimagining Birrarung
The NGV’s Reimagining Birrarung: Design Concepts for 2070 invites eight leading Australian landscape architecture and design firms to reimagine the lands and waters of the Birrarung (Yarra River). View, in pictures, a vision for the future of our waterways.
Art Guide Australia
Lismore Regional Gallery reopening
Lismore Regional Gallery is reopening to the public following extensive closure resulting from the devastating floods in 2022. The redesigned space will host a number of new exhibitions opening this weekend.
Art Guide Australia
Cate Consandine on meeting the complexity of the female gaze
Movement and stillness are driving forces in the video and sculptural works of Cate Consandine. This is particularly true of RINGER, the artist’s new three-channel film work currently premiering at Buxton Contemporary. In conversation with Amelia Wallin, Consandine talks about RINGER, the female gaze as a continual point of exploration, film as sculpture, and the viewer as an active and embodied agent.