Congratulations to Australia photomedia artist Pat Brassington who has won the inaugural Don Macfarlane Prize.
Created by The Macfarlane Fund, a new philanthropic fund established to honour the life and artistic ambitions of respected Melbourne-businessman Donald (Don) Macfarlane, the $50,000 award was instigated to recognise the artistic practice of a senior Australian artist and their ongoing cultural contribution and commitment to leadership in the visual arts.
Chosen unanimously by an advisory committee that included senior members of Australia’s visual arts community, the prize was awarded to Brassington for her experimental and innovative approach to photomedia in a career spanning four decades.
With a practice influenced by notions of the unconscious, the artist is known for her interests in surrealism, feminism and psychoanalysis, and for her enigmatic photomontages that examine narratives of sexuality, memory and identity. Her work has been extensively exhibited in national and international group exhibitions, and is held in major state, university and national collections throughout Australia.
The Macfarlane Prize is the first initiative for The Macfarlane Fund, which will soon launch The Macfarlane Commissions, a biennial series of exhibitions featuring new commissions by mid-career contemporary artists to be developed in collaboration with the Australian Centre for Contemporary Art (ACCA). ACCA will announce the selected artists in November.
The National Gallery of Victoria has unveiled their summer blockbuster exhibition for 2024–2025. Yayoi Kusama’s signature polka dots and pumpkins, along with world-premiere work, will appear in Australia’s largest retrospective exhibition of the Japanese artist.
Annika Harding’s latest work at NorthSite Contemporary Arts, focuses on the Atherton Tablelands, exploring the tension between natural beauty, relentless meteorological forces, and the built environment that supports local agricultural communities.
Parrtjima—the Northern Territory’s annual festival of lights at the Alice Springs Desert Park—is entering its ninth year, and this time the immersive festival’s focus is interconnectedness.
Known for her beguiling, stained canvases, and her evocation of matrilineal Indigenous histories, Waanyi artist Judy Watson is now embarking on a 40-year survey at the Queensland Art Gallery.
Belinda Winkler and Kevin Perkins AM use the southern Tasmanian landscape as inspiration for a series of works that contrast curve and plane, which are now showing at Bett Gallery.
This year’s Biennale of Sydney centres the “profound changes of the 21st century” from migration to diaspora to climate change—and how communities show perpetual resilience. From delicate kites to images of nuclear war, here’s our round up of what you can’t miss.
