13–17 Riley Street Woolloomooloo NSW 2011
Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
Biennale curator, Natalie King, is something of an accomplice to one of Australia’s brightest yet more elusive artists.
A US-curated exhibition finds a home in Adelaide, where it examines the human impact on the world’s oceans.
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