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This summer, the exhibition Water, which features 40 works by both Australian and international artists, asks visitors to take the time to really think about this precious resource.
In Shiver, curator John Stafford notes that the shark has little profile in the history of art.
John Akomfrah’s immersive presentation of two major video works at John Curtin Gallery bears the weight and darkness of two different histories.
In this latest Art Guide podcast, Glenn Iseger-Pilkington, a Yamatji Nyoongar man from Western Australia with Dutch and Scottish migrant history, talks about his curatorial and consultancy roles. But he’s careful to point out that he sees himself less as a voice of authority and more as a conduit.
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