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Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
While physical galleries all around Australia may be closed for months, the necessity of invention may yet enrich art lovers worldwide with online innovation.
In After Voices, Kuswidananto used animatronics, sound, video and sculpture to create a ghostly protest procession that had a distinctly theatrical edge.
The Winter Masterpieces series opening in June 2018 will feature 150 iconic works from New York’s Museum of Modern Art (MoMA).
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