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“Art is more enjoyable if you look at it hard and long, than if you look at it idly and in passing.”
With a practice spanning three decades, Louise Weaver is well-known for her meticulously crochet-encased animal forms.
Transparency and other worries presents a new body of work at Brisbane’s Institute for Modern Art in which the artist probes our distanced relationship to mining.
Ngaio Lenz paints possibility. Her new exhibition, The Imperfect Balance, extends the Melbourne-based artist’s investigation into the place of intuition, history and emotion in painting.
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