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Tāmaki Makaurau/Auckland-based artist John Vea’s show at 4A Centre for Contemporary Asian Art is both provocative and elegant.
For Isobel Knowles and Van Sowerwine the still-nascent artistic medium of virtual reality (VR) is the perfect fit for exploring themes of dislocation, disorientation, alienation and culture shock.
That unwieldy and shapeshifting beast, the artist-run initiative, comes in myriad forms and structures, all lumped into one handy pen for the ease of grant panels.
Quilty aligns with a reflective period for the artist, as he considers how to pass on what he has learned to his children.
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