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Is it possible to separate the art from the artist?
Tāmaki Makaurau/Auckland-based artist John Vea’s show at 4A Centre for Contemporary Asian Art is both provocative and elegant.
Lisa Sewards’s interest in parachutes stems from family lore. Her mother, who spent several childhood years in a European refugee camp, related a memory from that time of finding a silk parachute left over from the war.
Stieg Persson’s practice has dealt with a multiplicity of themes over the decades. His survey show reveals this polyphony, steadied by art history.
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